| 雕塑的制造法 |
| 添加时间：2018/12/26 16:11:34 浏览次数： |
| 雕塑的制作方法 1 备泥加工 把直接自地下的泥去掉杂质 . 木棒敲砸进行人工捣炼 , 用木槌 . 有条件的可用捣泥机加工 . 太湿的泥 , 要先放在室内通风处 , 让泥土吹干达到合适的湿度 ; 太干的泥则要泥土砸碎 , 放在容器内 , 浇上适量的水浸泡 , 然后再进行捣炼 . 最后要使泥土达到软硬适度又不粘手为佳 . 加工好的泥块要放在缸内或其他盛具内 , 用湿布或塑料布盖好以保持一定的湿度 , 备用 . 2. 搭内骨架 搭制骨架常用木 . 铁丝 , 木版 . 钢筋 , 铁钉等 . 泥塑的骨架像人的骨骼一样 , 起着支撑和连接的作用 , 泥塑的基础条件 , 不可忽视 . 搭骨架要注意 : <1> 骨架要牢固 . 上泥后不倾斜 , 以保证泥塑的稳定 . 不倒塌 . 又不露架 . <2> 堆泥后要使其既不掉泥 .> <3> 要体现雕塑的大体形状 . 便于变化和制模时拆架 . <4> 所搭骨架要简单 .> 3. 上大泥堆大形 泥与骨架备好以后 . 以便泥块与骨架能牢固地结合 , 就可以动手上泥了 . 先在骨架上喷一次水 . 不易掉落 . 上泥时 . 用手按紧 , 将泥块一块一块地堆贴在骨架上 . 拍实 , 然后层层加泥 , 用木槌或拍泥板将泥砸实帖牢 . 上大泥时 . 从整体入手 , 要从大处着眼 . 切忌缩手缩脚 , 陷入到局部细节的塑造中 . 雕塑是三维的实体 . 要经常转动雕塑台 , 每添一块泥都要照顾到各个视角之间的关系 . 不时进行观察比拟 . 泥不要一次堆足 , 只要堆出大形即可 . 4. 深入塑造 便可进入深入塑造的阶段 . 大的形体与比例为准确的基础上 . 随着局部和细部的深入 . 使局部服从于整体 . 深入塑造的过程中 . 处置局部与细部的关系 , 要不断调整和把握整体与局部的关系 . 也要反复推敲 , 始终掌握 " 整体 - 局部 - 整体 " 原则 . 只要整体掌握得准确 , 局部才干做的正确 , 而局部做准确了 , 也更充实完善了整体 . 往往在深入刻画局部时精力十分集中 . 这样越是做得细致 , 常在一个面上塑造时间太久而忘了转动 雕塑 台 . 体积也越容易拉平 . 所以要注意始终保持整体的观察和塑造 . 另外 . 可在泥塑上画中心线来检查 , 要注意对称关系 . 比较和修正 . 5. 调整统一 深入阶段 . 形体的大转折被削弱 , 难免会出现某些局部的细节表示得过分突出 . 形体间缺乏连贯或处理僵硬等 , 调整统一阶段就要把它调整到整体的大的关系上来 . Method of making sculpture: 1. Mud preparation process removes impurities from the mud directly from underground. Wood sticks are pounded for manual tamping and hammers are used for hammering. Conditional tamping machine can be used for processing. Mud that is too wet should be placed in the indoor ventilation area first, so that the soil can be dried to a suitable humidity; mud that is too dry should be smashed, placed in containers, poured with appropriate amount of water, and then tamping. It is preferable to make the clay soft and hard and not stick to the hands. The processed clay blocks should be placed in the cylinder or other holders, covered with wet cloth or plastic cloth to maintain a certain humidity, for reserve. 2. The framework of clay sculpture is made of wood, wire, wood plate, steel bar, nails, etc. The skeleton of clay sculpture, like human skeleton, plays a supporting and connecting role. The basic conditions of clay sculpture are not acceptable. Neglect. Skeleton erection should pay attention to: <1> skeleton should be firm, not inclined after mud loading to ensure the stability of clay sculpture, not collapse, and not exposed. <2> After mud piling, it should neither drop mud. > 3> It should reflect the general shape of the sculpture. It is easy to change and disassemble the skeleton when moulding. <4> The skeleton erected should be simple. > 3. After large mud piles and skeleton are prepared, the mud blocks and skeleton can be firmly bonded with the skeleton. First spray water on the skeleton. It's not easy to fall off. When putting mud on the skeleton, press the mud tightly with your hands and stack it on the skeleton one by one. Pat solid, then add mud layer by layer, smash the mud firmly with mallets or patting mud boards. When putting mud on, start with the whole and focus on the big part. Don't shrink your hands and feet fall into the shaping of local details. The sculpture is three-dimensional. The solid. Mud should be rotated frequently, and the relationship between different perspectives should be taken into account when adding a piece of mud. Observations and comparisons should be made from time to time. Mud should not be piled up once, as long as it is piled up in a large shape. 4. Deep shaping can enter the stage of deep shaping. Large shape and proportion are based on accuracy. With the deepening of parts and details, the part is subordinated to the whole. In the process of dealing with the relationship between parts and details, we should constantly adjust and grasp the relationship between the whole and the part. We should also repeatedly deliberate and always grasp the principle of "whole-part-whole". As long as the whole is mastered accurately, the part can do it correctly, while the part can do it accurately, it also enriches and perfects the whole. Often, we concentrate very much on portraying the part. Careful, often in one side for too long and forget to rotate the sculpture table. Volume is easier to flatten. So we should always keep the overall observation and shaping. In addition, we can draw the center line on the clay sculpture to check, pay attention to symmetry. Compare and correct. 5. Adjust the deep stage of unification. The great turning of the shape is weakened, inevitably there will be some local details. Excessively prominent. Lack of coherence or rigidity between bodies, etc., should be adjusted to the overall relationship in the adjustment and unification stage. |
| 上一页 怎么区别铸铜与锻铜 |
| 下一页 铜佛像制作工艺 |
Copyright © 技术支持：遨游网络